This is why Divisare is a place to perceive architecture slowly, without distractions. Instead of hastily perused information, we prefer knowledge calmly absorbed. ![]() Instead of a quick, distracted web, we want a slow, attentive one. ![]() Patient work, done with care, image after image, project after project, to offer you the ideal tool with which to organize your knowledge of contemporary architecture. Join us in taking a stand against the short attention architecture media.ĭivisare is the result of an effort of selection and classification of contemporary architecture conducted for over twenty years. Every angle and structural element has been designed to create visual access to the cityscape for those inside the building and aesthetic excitement for passersby on the street. Other amenities include a fitness center with yoga studio, wet and dry spa features and terrace a library lounge a screening room a private dining/conference room and a Tribeca Tot Room for children’s play and family activities. An adjoining outdoor sundeck cantilevers 20 feet over the block to provide extraordinary Tribeca views and a sense of connection to the district. These include an 75-foot infinity edge pool, one of Manhattan’s largest, surrounded by a black terrazzo deck inlaid with spherical glass aggregate. It is a different idea of the web, which we might call slow web.Ībove the 18-foot-high black granite-walled lobby are several floors of residences that relate very directly to the immediate scale and panorama of the neighborhood (homes known by the architects as “the townhouses”) and two full floors of amenities spaces custom-designed to the last detail by Herzog & de Meuron. banners, pop-ups or other distracting noise. No "click me," "tweet me, "share me,” "like me." No advertising. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions. ![]() A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. So we began to build divisare not vertically, but horizontally. May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.
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